Angry Angels begins with a stone angel — winged, holding a cross, looking upward with an expression that is anything but serene. Through layered digital composition the sculpture is transformed: deep blues, teals, lime greens, and hot pinks pushed to the edge of saturation against a warm gold ground. The color is not decorative. It is the charge of something unresolved — faith and institution, promise and reality, what we are told to believe in and what we are left with. The angel is still there. It is just no longer at peace.
New paintings, process stories, and behind-the-scenes from Breeze Hill.